Martina Burger studied singing at the Music Academy in Zagreb (Croatia) with professor Vlatka Oršanić. During studying she won several first prizes in Slovenia and Croatia, in 2010 was finalist at the International singing competition Mikulaš-Trnavsky in Trnava (Slovakia) and in 2011 finalist at the International competition Amici della Musica in Udine (Italy). She received Rector's Award for Accademic year 2010 and was a stipendist of Richard Wagner Society for 2011. She also attended masterclasses with Vitomir Marof, Helena Lazarska and had projects with Catherine Mackintosh and conducter Phillip Pickett, regarding the baroque singing. As a soloist she has collaborated with many professional orchestras, like The Slovenian Philharmonic, the Slovenian Radio Orchestra, Croatian Radio Orchestra, the Orchestra of the Opera House Ljubljana, Croatian Baroque Orchestra, Orchestra of the Music Academy of Zagreb, with which she has sung important vocal-instrumental works such as Orff's Carmina Burana, Mahler's IV Symphony, Strauss's Frühlingsstimmen, Mozart's Requiem, Mozart's Exsultate jubilate, Fauré's Requiem, Vivaldi's Nulla in mundo,... She has made her debut as Pamina at `Vatroslav Lisinski` Concert Hall in Zagreb. She was a member of Children theatre „Magic Land Ⓣ“ in Ljubljana, where she peformed as Gretel in Humperdinck's `Hänsel und Gretel’, Rusalka in Dvořak's `Rusalka`and Bastienne in Mozart’s ‘Bastien und Bastienne’. On stages of the Slovenian National Theatre Opera and Ballet Ljubljana, Croatian National Theatre Zagreb, Croatian National Theatre Rijeka and House of Culture Celje she has performed as Queen of the Night in Mozart's `Die Zauberflöte`, Madame Herz in Mozart's `Der Schauspieldirektor`, Lauretta in Puccini's `Gianni Schicci`, Belinda in Purcell's `Dido and Aeneas`, Nymph in Monteverdi's `Orfeo`, Manja in Kálmán's `Gräfin Mariza`, La Baronne de Gondremarck in Offenbach's `La Vie Parisienne`, Minka in Foerster’s ‘The Nightingale of Gorenjska’, Adina in Donizetti’s ‘L'elisir d'amore’, Das Glück in Bersa’s ‘Der Schuster von Delft’, Frasquita in Bizet’s ‘Carmen’, The Tenth Daughter in Lazar’s ‘The Tenth Daughter’ and Euridika in Offenbach’s ‘Orphée aux enfers’.